"Jenny Holzer’s famous truism “Protect me from what I want” renders in a very precise way the fundamental ambiguity of the hysterical position. It can either be read as an ironic reference to the standard male chauvinist wisdom that a woman, when left to herself, gets caught in the self-destructive fury, so that she must be protected from herself by the benevolent male domination: “Protect me from the excessive self-destructive desire in me that I myself am not able to dominate.” Or it can be read in a more radical way, as pointing towards the fact that in today’s patriarchal society, woman’s desire is radically alienated, that she desires what men expect her to desire, that she desires to be desired by men. In this case, “Protect me from what I want” means “What I want, precisely when I seem to formulate my authentic innermost longing, is already imposed on me by the patriarchal order that tells me what to desire, so the first condition of my liberation is that I break up the vicious cycle of my alienated desire and learn to formulate my desire in an autonomous way.”"
Slavoj Žižek, How To Read Lacan (via laxisme)
"The sense of being between cultures has been very, very strong for me. I would say that’s the single strongest strand running through my life: the fact that I’m always in and out of things, and never really of
anything for very long."
Edward W. Said, Power, Politics and Culture.
"You have to have a certain detachment in order to see beauty for yourself rather than something that has been put in quotation marks to be understood as “beauty.” Think about Dutch painting, where sunlight is falling on a basin of water and a woman is standing there in the clothes that she would wear when she wakes up in the morning—that beauty is a casual glimpse of something very ordinary. Or a painting like Rembrandt’s Carcass of Beef, where a simple piece of meat caught his eye because there was something mysterious about it. You also get that in Edward Hopper: Look at the sunlight! or Look at the human being! These are instances of genius. Cultures cherish artists because they are people who can say, Look at that. And it’s not Versailles. It’s a brick wall with a ray of sunlight falling on it."